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【資料圖】

Currently, the development of rural areas hasmadea historic leap, and literary and art circles have paid more attention to rural themes.

近年來(lái)，農(nóng)村發(fā)展完成了歷史性的跨越，文藝界也越發(fā)重視鄉(xiāng)村題材。

Lately, the Guangdong Museum of Art launched "Lives on the Soil - the Exhibition of Country Theme Art Works Since 1949", presenting the artistic and practical actions of contemporary artists actively participating in the revitalization and development of the countryside.

近日，廣東美術(shù)館重磅推出《鄉(xiāng)土人間——1949年以來(lái)鄉(xiāng)村題材美術(shù)作品研究展》，呈現(xiàn)當(dāng)下藝術(shù)家積極參與鄉(xiāng)村振興發(fā)展的藝術(shù)、實(shí)踐行動(dòng)。

Wang Shaoqiang, Director of Guangdong Museum of Art, said that traditional artists generally take more care of independent individuals, while the theme of "Lives on the Soil" makes the individual artists stand in the same dimension as our nation, so that more artists have relations with rural society and are concerned more about the development of the country.

廣東美術(shù)館館長(zhǎng)王紹強(qiáng)表示，傳統(tǒng)藝術(shù)家通常更關(guān)注獨(dú)立個(gè)體，而“鄉(xiāng)土”題材讓藝術(shù)家個(gè)體與家國(guó)集體凝結(jié)在同一維度，使更多藝術(shù)家與農(nóng)村社會(huì)產(chǎn)生關(guān)系，關(guān)心國(guó)家的發(fā)展。

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來(lái)源 | 羊城晚報(bào)?羊城派

責(zé)編 | 謝哲

標(biāo)簽： 中英雙語(yǔ)從鄉(xiāng)土人間到社會(huì)家國(guó) country